19 May - 30 July 2022

ANTHROPOMORPHUS

ft. SOULEYMANE KONATE

SELBY HURST

TONI LOSEY

In Collaboration with Enfant Terrible Exhibition

Anthropomorphous, from Late Latin Anthropomorphus: “Ascribing human motivation, characteristics, or behavior to things not human, such as inanimate objects, animals, or natural phenomena.” 

 

Anthropomorphus invites viewers to step inside a mythical world populated by fantastic fauna, flora, and other living organisms - all of which possess distinct human qualities, rendering them uncannily friendly, familiar, and approachable. This multidisciplinary exhibition places in conversation the work of Ivorian painter Souleymane Konaté, British textile artist Selby Hurst, and Canadian ceramist Toni Losey. 

Exhibited for the first time in London, Konaté’s paintings present themselves as rich visual escapes, populated by part-human, part-animal hybrid creatures brought to life through humorous, cartoonish characteristics. While the artist’s practice draws inspiration from Bambara mythology and African wildlife, his bewildering subjects represent the reconciliation of man and nature in a world where both live symbiotically and in harmony.

Known for her instantly-recognizable naïve-styled rugs and tapestries, Hurst’s anthropomorphised feline sculpture seems to have broken the fourth wall and leapt out of one of Konaté’s paintings, thus enriching the viewer’s immersive experience. Hurst’s practice focuses on the domestic space, the objects and pieces of furniture that exist within it, and imbue said objects with the importance and vibrancy of living entities. Far from being intimidating, Hurst’s flamboyantly-colored sculpture almost asks to be caressed and cared for. 

Bursting with movement, energy and colour, Toni Losey’s ceramics seem uncannily alive. Inspired by natural phenomena, patterns of growth and life cycles, the artist enjoys spending her free time in nature, photographing fungi, slime, mold and lichen - a wealth of resources to draw inspiration from when working in her studio. In recent months, the artist has particularly connected with the emotionality of these biomorphic forms and has started naming them as if a pet or a friend, based on the names and their associative connotations. The seven sculptures exhibited all draw direct references from fungi, an apt inspiration in this time of history, which forms and develops out of loss and decay just as we are hoping to grow out of these times of change and uncertainty.

SELECTED WORKS

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